Artist Patrick Dougherty sculpts nature. With a combination of sticks, fallen trees and various other organic materials, Patrick has created over 200 massive sculptures in natural environments around the world. And he didn’t start until the age of 36. Since then he has woven together tree samplings to form everything from larger than life animals to nests and cocoons. Learn more about this artist in his 10 ANSWERS below and be sure to check out his new book, Stickwork, filled with even more photos, anecdotes and insights.
1. How would you describe your work in three words?
“Installation” is a buzz word in sculpture circles these days, and at it best, it means finding a special place, looking at that space carefully and building something that blends and resonates with the site in a way that excites the imagination of all those who pass that way.
“Temporary” would be another word. The use of such ephemeral materials means the sculpture has the same life cycle as the sticks themselves, and ultimately it disintegrates and fades back into the landscape, becoming mulch for new life. In the beginning the sculptures have the vigour of their teenage years with the hubbub of “dating” and winning new friends. They mature into their sites and become companions for the inquisitive. Sadly, two years down the road, the lines of the sculpture begin to droop and, in subsequent years, it sheds, until it becomes just an unnoticed heap of sticks. “Accessible” would probably be word #3. During the construction, there are no studio doors to close; there is no place to hide. The public has access to the process and the work is completed in full public view. This means that I receive a tremendous amount of feedback from the people who become visually involved with the work and share the drama of building. Many people talk to me throughout the installation about the sculpture, but more often about themselves and their associations with the work. Maybe this exchange of essential energy is really the most profound reward for doing my best and making something that uses a space to its best advantage.
2. Who is your creative role model?
In my experience, sculptors have to be each other’s heroes. I enjoy looking at all kinds of sculptures, because it helps me to hone my own problem-solving skills.
3. If you had an extra hour each day what would you do with it?
In addition to working with sticks, I love building with stone and spend any extra time trying to find the place for the perfect stone.
4. What place in the world most inspires you and why?
My work affords me the opportunity to travel many great places around the US and the world. Travel has been invigorating because it makes me aware of a world full of interesting people. Not only do I enjoy working in urban areas, but I find great pleasure in working in more rural landscapes.
5. If you could do a different job for a day what would it be and why?
I enjoy all kinds of construction and the possibilities involved. If not building with sticks, I would grab a hammer and nails.
6. What is your favorite homemade gift to give?
Generally, I give service, the gift of time.
7. What is your favorite object in your home?
I especially treasure an antique wheelwright’s compass.
8. What is the best advice you’ve ever received?
Long ago I was given this advice which helped to form my career: It is just as easy to be a national artist as a local one. You just have to be willing to get out into the nation with your work.
9. What websites do you use for inspiration?
Recently, I have received pleasure and inspiration from The New York Times website.
I didn’t just dream it!
10. When do you consider a piece of your work complete?
A jeweler considers polish to be a series of finer and finer scratches. I set my parameters and then I polish within.
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